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          Carnelian

Another season of watching the leaves tumble away... off and on, up and down—  as with the leaves, so too
with our human seasons. Hot and cold, inside and out, we're much the same as the rest of nature, which only
makes sense, since we're part and parcel of it. Probably the only real difference we can claim is our trying
to make our own sense of it, which is, of course, why we keep thumping at the keys, over and over...

Some great things going on in this issue:  poems from Taylor Graham, Jill Sommers-Scholl, Robert Frost
and many others. The months may mean different seasons in different parts of the world, but the cycle is 
the same, and so the subjects are similar, though the voices differ. Fire and ice, passion and whisper...  
I think you'll find amongst the poems here much that feels familiar.             The Editor


On the cover:  After Beethoven:  Moonlight (detail)   by Lucien Levy-Dhurmer     pastel on paper   1897

                                 Grace our mailing list, or request a link exchange:   carnelian@sidewalkpress.net

Volume 4 Issue 4     October 2004 
          TABLE OF CONTENTS:    
     
Surrender                                                                   Carla Sofia Lopes Ribeiro      S. Martino de Mouros, Portugal
Venus Mons                                                               Jeremy O'Neal       Kansas City, MO
A Drowning                                                                Martin Jervis       Leeds, UK
Metaphysical Riddle #37                                         Jack Granath       Kansas City, MO
No Pattern                                                                 John Grey       Providence, RI
A Matter Of Punctuation                                           Taylor Graham       Somerset, CA
Knowing You                                                             Jill Sommers-Scholl       Kansas City, MO
The Best By Far                                                        Geertjan Wielenga       Prague, Czech Republic
Night Is Everything In Motion                                    Dorothee Lang       Stuttgart, Germany
Be Clear On Why You Want                                     Ace Boggess       Huntington, WV
Head Blow Blues                                                      Jack Granath       Kansas City, MO
Errata                                                                         Taylor Graham       Somerset, CA


Poetry All-Stars

Fire And Ice                                                                Robert Frost
Love Sonnet XCVI                                                     Pablo Neruda  (translated by Stephen Tapscott)  

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POEMS:

 
Surrender               by Carla Sofia Lopes Ribeiro


I left so much behind to be with you,
To gaze into your eyes and see the light
Of your soul calling my name, as you do,
When my mind's dark and your heart's shining bright.

I wander through the night of every dream
I fed with all your love and happiness.
I wonder if you are just like you seem
To be, inside my deepest loneliness.

I give my life to you to become free.
Tonight I raise my hands and let you take me.
To live again, I give myself to you.

Become my freedom, master of my world!
Become the voice who's speaking the last word
Of my soul, while my broken life goes through!



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Venus Mons               by Jeremy O'Neal


Below the belly,
The slow, perceptible rise,
Sweet symmetry;
Sprinkled golden locks,
Fluttering lid round
A moistened eye,
Satin hillock about
A silken ellipse,
My trekking hand
Climbs Venus' incline,
Slides a single strand
Down the vee of
Her delicate decline,
Raises the water of life
My rod of divining
Sensed deep within
Fertile ground,
Drought ending,
Welling of spring,
That I could linger
Forever among
The flora of
That sleek, luscious,
Divine mound

 
  

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A Drowning               by Martin Jervis


You lay on September sand, your face, 
As smooth as ivory on a bed of ochre, 
A body's petal left sour by a salty dive, 
Desired and hooked into water's sap hollows. 

From the sockets of your dark, emptied eyes, 
Vision had ebbed in the stomach of the sea, 
Pyramids of salt-washed teeth gleamed 
Beside the tongue of your swallowed cry. 

You lay on September sand, sterile, 
And cleansed beneath the silent, grey cliff; 
Stiffened jaws, a spirited heart captured 
By ocean tides spit into empty lungs. 

I watched you lying in perfect stillness; 
Pale hands, tightly clenched, stretched, 
Weeping veins like autumn leaves, 
Whilst the gulls on the wing cried in anger. 



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Metaphysical Riddle #37               by Jack Granath


Which of them is
Responsible
For this bright splash
Of sudden smile,
The laws of physics
Or a god?

Who cares?  She smiled,
And it was good.


     

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 No Pattern               by John Grey


 It's a remote spot where
 two paths cross,
 two paths overgrown
 with weeds,
 where my footprints,
 my humming,
 fail to civilize.

 It's a place where
 everything seems without purpose,
 leaves fluttering one way
 then the other,
 tanagers moving from branch to branch
 without settling on any,
 day lilies blooming on the false assumption
 that a brief time's the equivalent
 of a thousand years.

 I pick up a pine cone,
 wonder why it fell just there,
 listen to rustle in the underbrush
 that makes life more immediate
 but not intimate.
 Sure, it's all of a whole here
 but it feels so indecisive in its pieces.
 Two paths cross...
 where can they go but nowhere.

 
  

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A Matter Of Punctuation               by Taylor Graham


They walked in together
graceful as matched parentheses
but with a world of possible words
and speechless air between them.

She circulated, comma'd, spoke
in whispers to this and that etc, then
withdrew in urgent conversation
w/ a treble clef.

He in the meantime kissed
single gloves and dashed, setting
the occasional period &
drawing each subjunctive

mood to him, as he bowed,
allegro'd amid their question
marks, to exit with a silent
ampersand.

 
       

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Knowing You               by Jill Sommers-Scholl
 

And the clinking tick of wine bottles
Expressly tolls the forbidden hour
Where early rising businessmen
        dare not tread
And the hardened, gentle waitress
Starts her shift at the Always Open Diner,
Where calf brains fare as delicacy but 
The hooters there have long since hooted their last
        and for far less
Than a twenty dollar cup of coffee.

Where’s the milk?
I’ve often at this hour wondered
And considered whether never having met you, a place
        where you are not in me
Might be an easier empty space to bear than the joy
And constant worry that maybe I’ll do something wrong,
You’ll leave or, worse, stay— angry, bitter, confused
Wear me away with you like two longing bits of light 
Believing they are stars heading into Somewhere, only shedding into nothing,

And then, I don’t care anymore as the bottles siphon, 
The red dreaming comes like a sheet that wants to
Wear me, like you, under it, wrapped in tangles 
Babbles, silly giggles as if we turned to tickles 
And I rejoice in the serendipitous dance of running 
Smack into you according to the map of how, when,
Where and why of this whirling mechanical world, 
It makes no damn sense at all until it is all over
And you look back at the shadows life left to see 

If I hadn't known you, I would not be.


  

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The Best By Far               by Geertjan Wielenga


Don't worry that he never buys you roses.
They blossom in a week and then they wilt.
And so picks his nose? That just exposes
not every man is sang-froid to the hilt.
Just value his nice smile and conversation.
What's that you say? He's ugly and a bore?
Then focus on his style and occupation!
He's got none? Doesn't work there anymore?

My friend, what are you doing with this loser?
You don't deserve this treatment. Not a bit!
Stop thinking you're a beggar. Be a chooser!
Don't settle down with morons like this shit!
You've picked some real bad apples, don't you see
that of them all the best by far was me?


     
  

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Night Is Everything In Motion               by Dorothee Lang

 
Changes are departures in mind
The breeze of tranquillity
Before and after now, the beginning of the end
 
Notions are landscape of likelihood
Forseeing future mazes
Failing moves
 
Insights are holes in the clouds in the ground 
Immersing the hours beyond
The emptiness of option

     
  

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Be Clear On Why You Want               by Ace Boggess
          [Horoscope for Libra, Aug. 26, 2001]


I want because my eyes tighten curves of her legs, 
her naked back, stretch them into marble trees,
branches, cool & slick, that one must own to touch. 

I want because moonlight morphs her irises from 
hazel into silver. So unlike mine that once dimmed 
jade to gray, hers brighten in their turn from color.

I want because wanting is better than not wanting,
easier & more pleasant than to look away. Desire has 
its euphoric tension, sans a peak of physical release.

I want because I can want & never act on wanting, 
never say, “I come to you in silence of need like 
a drowning man in search of affirmation for the lungs. 

I plead with you fulfill all that I want.” Because 
I never want to go beyond the mere illusion,
scatter showering gold of fantasy, I might receive 

more necessary things like words she wants 
someone to really hear, to share & understand, 
because I want & do not want what things I want, 
so keep wanting this imperfect joy of possibility.

     
  

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Head Blow Blues               by Jack Granath


Instead of letting up like that,
Why not ask to see my hat
And stroke me stammer with a hammer
	Or a baseball bat?

Why not split my steaming head
While I crawl across the bed,
Bleeding twenty horns of plenty,
	Why not whack me dead?

Then you can stand there, feet apart,
Or splash in the puddle of your fresh start,
Making lovely sounds above me,
	Calling for my heart!
 
     
  

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Errata               by Taylor Graham


He's calling to take back everything.
Whatever you imagine may have happened
last night, he says, just plain didn't.
One of his friends must have warned him
you write poems. Kiss of death, this—
to discover himself anonymously writ-
ten about, drawn, quartered, lined out
in metaphor, hyperbole and metric feet
that do or, fashionably, do not rhyme
unto all forthcoming time, recorded
on a deceptively innocent white sheet
of paper, which is not, in any way
he'd understand (and lacking a line
by half), a sonnet.


 
      

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Fire And Ice                by Robert Frost


Some say the world will end in fire,
Some say in ice.
From what I've tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say for destruction ice
Is also great
And would suffice.
     

  

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Love Sonnet XCVI               by Pablo Neruda


I think this time when you loved me
will pass away, and another blue will replace it;
another skin will cover the same bones;
other eyes will see the spring.

None of those who tried to tie time down—
those who dealt in smoke,
bureaucrats, businessmen, transients— none
will keep moving, tangled in their ropes.

The cruel gods wearing spectacles will pass away,
the hairy carnivore with the book,
the little green fleas and the pitpit birds.

And when the earth is freshly washed,
other eyes will be born in the water,
the wheat will flourish without tears.

            (translated by Stephen Tapscott)


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Carnelian   V4 Iss4  October, 2004