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Carnelian
"These are really the thoughts of all men in all ages and
lands, they are not original with me,
If they are not yours as much as mine they are nothing, or
next to nothing,
If they are not the riddle and the untying of the riddle they
are nothing,
If they are not just as close as they are distant they are
nothing.
This is the grass that grows wherever the land is and the
water is,
This is the common air that bathes the globe."
Walt Whitman "Song of Myself"
Need I say more? I think not so let's welcome the new year with some great poetry from Harvey Stanbrough,
Maggie Morley, Jordanne Holyoak, Philip Larkin & company, and get on with untying the riddle...
The Editor
On the cover: Walt Whitman (detail) by Thomas Eakins oil on canvas 1887
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Volume 4 Issue 1 January 2004 TABLE OF CONTENTS: Beyond the Masks Harvey Stanbrough Pittsboro, IN Substance AnnMarie Eldon Henley-on-Thames, UK The 1st Chapter Taylor Graham Somerset, CA Duty Free Karin Henderson Oslo, Norway Dallas Cowgirl Maggie Morley Kensington, CA Eye For Infidelity Jason Fraley New Haven, WV Wistful Days Aurora Antonovic Ontario, Canada Tahitian Pearls Jordanne Holyoak New Albany, IN A Trek Through The Himalayas Srinjay Chakravarti Calcutta, India A Wet Shirt Wil Lobko Eugene, OR Of The Ruby Slipper Aliya Whiteley Lincoln, UK Our Wedgwood Lives Janet I. Buck Medford, OR
Poetry All-Stars
Places, Loved Ones Philip Larkin
Stepping Backward Adrienne Rich
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POEMS:
Beyond the Masks by Harvey Stanbrough
from and for Gerald Whitefoot St. Clair, just a man
"There used to be gods in everything
and now they've gone...
~ Howard Nemerov in "The Companions"
I
Before we lost the gods or sight of them
and let them fade away beyond the masks
that separate their world (the world) and us,
we knew there was a line between the sea
and the coral resting there; between
the stream and the rocks that line its bed;
between the liquid and the bowl; between
the fruit and the seed; between the void
and the atmosphere; and between
the music and the flute. We heard the gods
in creaking branches, in the touch of rain,
and consequential gatherings of birds,
their flappings tuned perfection to the ear
their song an invocation in the trees,
whence they would rise as one to form a sign
then turn this way and that, as if on signal,
before they settled to the trees again
to talk excitedly among themselves
about the gods they'd called, whether those gods
would visit them and us ever again.
II
I walk with you to look beyond the masks,
to see us as we were before The Fall,
before we lost the ears to hear the gods
in everything, before we lost the eyes
to see the gods, the sense to know their worth.
I walk with you to taste the sweet mesquite,
the silence layering the land, the music
trickling down the Rio Peñasco;
I walk with you to smell the dusty sage
just before it rains, the joyful sage
just afterward, and to know a god
made the difference; and I walk with you
to learn to count the threads in mescal,
listen for a blessing on the wind,
and watch a single grain of dust settle
gently on a yellowed blade of grass.
III
Before we slipped beyond the masks, the gods
guided us, beheld our gangly stride,
our awkward gait as if we hadn't grown
into our feet. They watched us flail about,
feigning all the while a certain status,
lifting ourselves even over them
until we couldn't hear them when they spoke
and so they fell silent. But now I walk
with you to hear them creak in juniper,
see them hunched beside the craggy rocks,
and know that we and they are of one heart,
the rhythmic heartbeat of the Law of One
as if they'd never gone, as if we'd never
turned our backs on them in our headlong
rush to leave ourselves behind, our rush
to be who we are not. But now we know:
We listen to the earth and to the gods.
We hear them and we see them peeking at us.
They slip across the window pane at night,
they whisper softly just outside the door,
and sometimes, when I've been well behaved,
they rustle dust in moonbeams on my desk.
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Substance by AnnMarie Eldon At first I never did it then just a coupla times after I was wed I did it with arms crossed tongue out I did it with head bowed I did it by choice and because I was led I did it along with everyone else and I have refused to do it believing there was no shred of evidence and with arrogance and in innocence and in the other queue instead I did it behind you I did it up ahead I did it with anger sadness apathy and doubt and thirsting after truth and hungover and when I bled In pain I knelt alone as never could be and watched you being fed I did with and without the red I did it in celebration of the living and remembrance of the dead But always always always the bread tasted the same
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The 1st Chapter by Taylor Graham It's all connected in your head as clues to a murder mystery: footprints diminishing along a wooded path a girl with hair the color of blackbirds about to fledge and beyond any place such a girl could imagine, a minesweeper riding waves where a war has been, or is or will be as any plotter knows, the imagination's full of dirty little secrets a call at midnight It will turn out badly.
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Duty Free by Karin Henderson My attic office has a tea-break view of life outside. Car-import documents fill my screen, require conversion into another language, a currency exchange intended to keep words dry. Stretching, I turn my chair ninety degrees to window-poetry. Wet crows fly north cawing in low cloud, birch tops gleam with perfect glass berries, ripe for picking. Cars splash by below like rainbow fish brought here from the tropics duty-free.
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Dallas Cowgirl by Maggie Morley She'd thrown the switch too often, and her brain Was fried. She'd drilled herself into the duff And being hot and wild was not enough At last: she couldn't tempt a dog. Her train Had left the station: she was out of gas; Lived bootless in a land of boots; hard men With old eyes didn't recognize her when They found her, toes up, near an underpass. And no one could remember, could recall That once she was the Devil’s favorite daughter; Could suck a golfball through a garden hose; Could burn the siding off a roadhouse wall. No one to tell the sheriff “This is not her Customary angle of repose."
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Eye for Infidelity by Jason Fraley From a bedroom on the 6th floor, she watches unknowing pedestrians journey to the local mall or random stores on 3rd Street. She has a special interest in couples: husbands with arms around wives, tiny kisses on perfumed cheeks, whispered I love yous for a smile. The men who look back make her wonder if they beat their beauties, foundation and long sleeves hide bruises and blood. Perhaps they visit local whorehouses, leave with their eyes downcast, cigarettes redder than the apple of original sin. When the husbands walk alone the next day, she imagines the wives spitting on their faces, sobs and screams accompany shutting doors, familiar bodies left behind, no return to broken families or loveless children who grow up watching their fathers from apartment windows.
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Wistful Days by Aurora Antonovic Late afternoon, dark skies are growing, And my wistfulness is showing, Thinking dark thoughts pensively, Moodily. No book can long hold my attention, Preoccupation too sharp to mention, Thinking of you yearningly, Longingly. Searching for some fixed distractions, To steer me from your strong attractions, A lump of sadness with my tea, Despondency. Whiling away the hours and days, To lure my thoughts from my malaise, Wiping away one escaped tear, Wish you were here.
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Tahitian Pearls by Jordanne Holyoak A gift from my lover, these pearls. Once hidden, lustrous spheres in oyster pressed and mantle-cloaked these dark gems, hint of green and tourmaline lay beneath an ounce of flesh. I adored them, both in bath and bed I wore them. My lover trailed their languid kisses over me, tied them in my waist-length hair that buried him in tress and sea. How could I prophesy the day of ocean's beckoning? Dressed in strands of pearls alone, from giant rounds to tiny grains, there, I was lulled by gentle reckoning, to be caressed by evening's garnet sea. There is no sound within the current, its tendrils winding 'round my legs and hips. Caressing me with open lips, beneath the ocean's toss and whirl. I'm dizzy in his liquid grip. He glides his salt tongue over me, claiming still another pearl.
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A Trek Through The Himalayas by Srinjay Chakravarti The journey lasts for days and days. We trek up valley, hill and slope We carry with ourselves the hope To traverse strange, untrodden ways. We enter now a world of clouds. Along the way we hear the call Of mountain wind and waterfall. The pallid mist is spreading shrouds. At last we reach the final peak. The summit beckons us to come The air is cold, our feet are numb. We climb to reach the grail we seek. The path is steep and narrow there. It snakes its way these stairs of stone Now mark the route we make our own. The sunshine gilds the lucid air. The peak is stark with gelid snow. We look where sky and earth have merged, From high above. Our souls are purged. Forgotten lies the world below.
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A Wet Shirt by Wil Lobko Rarely smells like anything but rain, A hint of steamed asphalt. Under where it puddled's an arcane Shadowy lithograph of sweat and salt. Even if abandoned for an era Of implosions, parking lots, new lofts, You'd think it's recently forlorn, an air Of midday toil, sex, or some fella offed By the Hell's Angels or the lawyer's goons Who loses a shirt downtown? Fishy business. No time soon Will its owner ask for the lost and found, Bare-chested, bandaged, and chagrined. She or he has long since vanished Straight from their clothes like the face pinned With tacks to a phone pole. But savaged Or gone to better realms, I can't guess. I kick it over hardy crabgrass shoots, Until its elbows bend, wrists at the breasts A mimic of the nude and final suit.
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Of The Ruby Slipper by Aliya Whiteley The catch holds, window Glass turn it over, Away through angry, writhing dark. It knocks insistent, bed Flat pillow body, I lie, dead small, scared tiny. Scream breath bends, catch Rattles a warning, Wants me doll dead by light. Slow, straight, gathering curtain Belies the frenzy, Falls softly over the fury. I see its stillness through my lids, Bodied down in blanket layered barricade.
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Our Wedgwood Lives by Janet I. Buck The washed up dance of holidays it starts with an innocent snort, Mimosas with brunch, a nap to recover our tongues, gin before argula and vinaigrette, wine with the meal we can’t remember we ate. It all comes down to drying corks. Over brandy and a cold fire, out come gossiping crows that mourn a filthy swimming pool, a parking lot without a space, a line too long at the bank. I have beautiful goblets in cupboards I shine like shoes. Like brie we grow a sour crust. It’s tempting to crack a crystal flute over my knee, discover the blood we hide, see if it’s red or pale with fear. Our Wedgwood lives, our gilded plates, our Dresden’s perfectly contained. Train tracks tick like clocks no chimes, no choirs, no barking dogs to claw our fences set in stone.
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Places, Loved Ones by Philip Larkin No, I have never found The place where I could say This is my proper ground, Here I shall stay; Nor met that special one Who has an instant claim On everything I own Down to my name; To find such seems to prove You want no choice in where To build, or whom to love; You ask them to bear You off irrevocably, So that it's not your fault Should the town turn dreary, The girl a dolt. Yet, having missed them, you're Bound, none the less, to act As if what you settled for Mashed you, in fact; And wiser to keep away From thinking you still might trace Uncalled-for to this day Your person, your place.
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Stepping Backward by Adrienne Rich Good-by to you whom I shall see tomorrow, Next year and when I'm fifty; still good-by. This is the leave we never really take. If you were dead or gone to China The event might draw your stature in my mind. I should be forced to look upon you whole The way we look upon the things we lose. We see each other daily and in segments; Parting might make us meet anew, entire. You asked me once, and I could give no answer, How far dare we throw off the daily ruse, Official treacheries of face and name, Have out our true identity? I could hazard An answer now, if you are asking still. We are a small and lonely human race Showing no sign of mastering solitude Out on this stony planet that we farm. The most that we can do for one another Is let our blunders and our blind mischances Argue a certain brusque abrupt compassion. We might as well be truthful. I should say They're luckiest who know they're not unique; But only art or common interchange Can teach that kindest truth. And even art Can only hint at what disturbed a Melville or calmed a Mahler's frenzy; you and I Still look from separate windows every morning Upon the same white daylight in the square. And when we come into each other's rooms Once in awhile, encumbered and self-conscious, We hover awkwardly about the threshold And usually regret the visit later. Perhaps the harshest fact is, only lovers And once in a while two with the grace of lovers Unlearn that clumsiness of rare intrusion And let each other freely come and go. Most of us shut too quickly into cupboards The margin-scribbled books, the dried geranium, The penny horoscope, letters never mailed. The door may open, but the room is altered; Not the same room we look from night and day. It takes a late and slowly blooming wisdom To learn that those we marked infallible Are tragi-comic stumblers like ourselves. The knowledge breeds reserve. We walk on tiptoe, Demanding more than we know how to render. Two-edged discovery hunts us finally down; The human act will make us real again, And then perhaps we come to know each other. Let us return to imperfection's school. No longer wandering after Plato's ghost, Seeking the garden where all fruit is flawless, We must at last renounce that ultimate blue And take a walk in other kinds of weather. The sourest apple makes its wry announcement That imperfection has a certain tang. Maybe we shouldn't turn our pockets out To the last crumb or lingering bit of fluff, But all we can confess of what we are Has in it the defeat of isolation If not our own, then someone's, anyway. So I come back to saying this good-by, A sort of ceremony of my own, This stepping backward for another glance. Perhaps you'll say we need no ceremony, Because we know each other, crack and flaw, Like two irregular stones that fit together. Yet still good-by, because we live by inches And only sometimes see the full dimension. Your stature's one I want to memorize Your whole level of being, to impose On any other comers, man or woman. I'd ask them that they carry what they are With your particular bearing, as you wear The flaws that make you both yourself and human.
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Carnelian V4 Iss1 January,
2004